We wanted to let you know that we will be taking a little time off to work on some new music and a few other projects. We will still have some posts and reviews but they will be less frequent. You can stay connected with The Noise Room on Facebook, Twitter, and Instagram as we’ll be posting there as well. Feel free to contact us with any questions or comments.
Here’s a helpful video for recording drums with just two mics as well as only two input on your audio interface. Engineer Bob Clearmountain (The Rolling Stones, Bruce Springsteen) and drummer Matt Chamberlain (solo artist, session musician, David Bowie, Tori Amos, Soundgarden) demonstrate and discuss the best way to record drums with two microphones using Apogee Duet.
Music by Matt Chamberlain, Sergio Ruelas, Devon Pangle and Mairead Delaney
Most of the interviews on The Noise Room are usually conducted in-house however today we are doing something different. A publicist who we’ve worked with in the past sent us this interview with Jeff Hughell noting that it is public domain and we are free to publish it in its entirety. So we decided to do just that. The interview was conducted by Daniel Gonzalez who did a great job and asks many of the same questions we would. We hope you enjoy the interview below.
For 20 years, Jeff Hughell has quietly been gaining recognition as one of today’s most innovative bass players. Equipped with his custom made 7-string bass guitar, Hughell’s arsenal of technique and chops can cover a range of genres stretching from death metal to jazz. Here we sit down with Jeff to discuss his debut LP, Chaos Labyrinth, how it all started, and some future plans.
What inspired you to start playing bass and what were some of your favorite bands growing up?
The first thing that really made me want to play bass was a video of Cliff Burton playing a bass solo. He made it sound so different and had such a cool presence and style. The bands I listened to before I started playing was Metallica, Slayer, and Pantera. Another band that had great bass presence was Suicidal Tendencies. The album The Art of Rebellion came out right before I started playing and Robert Trujillo’s bass tone cut through the mix so well. It was really interesting and different.
If you’re looking for a new audio interface you’re in luck. Today, Universal Audio introduced an all-new line of Apollo audio interfaces for Mac Thunderbolt users. With next-generation A/D and D/A conversion, new monitoring functions, Thunderbolt cascading of up to four interfaces, and Realtime UAD Processing — all housed within a sleek, black aluminum package — the new Apollo interfaces push the standard forward for professional music recording and production.
Once again, SoundToys is giving away a free plug-in which was introduced at South by Southwest. This year it’s a vocal transforming pitch plug called Little AlterBoy. Soundtoys’ roots are in the pioneering days of pitch-shifting and Little AlterBoy delivers big. It is designed to do a whole slew of classic vocal tricks from past and present, like the ever popular hard tuning, octave DJ FX, Robot voices, gender shifting, and more.
While Little AlterBoy is free right now, if you wait too long, you might not be able to get it. You have until April 1st, 2015 (no fooling) to download it but you will need a code first. Good thing is that we have one for you to use. Here’s the sharing code you will need: 387-1276-043